Depictions of and Challenges to the New Woman in Hannah Höch’s Photomontage
Figure 1. Schnitt mit dem Küchenmesser Dada durch die letzte weimarer Bierbauchkulturepoche Deutschlands (Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany), 1919-1920, photomontage, Nationalgalerie Staatliche Museen Preussischer Kulturbesitz Berlin.
Figure 2. Pages from Hannah Höch’s Album (Scrapbook), 1933. Scan from Hannah Höch album. Ostfildern-Ruit: Hatje Cantz Verlag. 2004. n. pag.
Figure 3. Pages from Hannah Höch’s Album (Scrapbook), 1933. Scan from Hannah Höch album. Ostfildern-Ruit: Hatje Cantz Verlag. 2004. n. pag.
Figure 4. Denkmal I: Aus einem ethnographischen Museum (Memorial I: From an Ethnographic Museum), 1924, Berlinische Galerie, Berlin.
Figure 5. Marlene, 1930, Dakis Joannou, Athens.
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