family

essay

What I Read in 2017

Winter

It was our first New Year’s Eve without my father. I dipped strawberries in melted chocolate and watched my mother stir rice pudding. The family was coming over to our house. Despite the brutal absence, we were supposed to be celebrating. My brother, George, got engaged. I have big life news as well, I told everyone. I am quitting my job.

Family members congratulated my brother while raising their eyebrows at me. They didn’t hide their distaste when they told me I needed to reassess my life choices. They told me to wait until I found a new job first—to not be totally broke. I told them I was already broke. I told them my last Uber driver disclosed his salary to me. It was unprompted, and I wished I didn’t hear it because when I told him my salary in the same trusting nature, he asked me if my wage was even legal. On the bright side, I said, my free time will be spent searching for a husband full time. They are traditionalists who couldn’t believe I was not married with children already.

Around the same time, I was reading Zoey Leigh Peterson’s Next Year For Sure, which offered a dual perspective into a progressive relationship. Kathryn and Chris were dating for nearly a decade when Chris began to have feelings for another woman, Emily. The first chapter began with Chris admitting his crush to Emily.

This confession was not out of the ordinary for them. They had an open and honest relationship, divulging all their stories and secrets to each other. The news of Chris’ crush sent Kathryn into a flurry of wild emotions that she hid with nonchalance. Despite her instinct to shut down the idea, she encouraged Chris to date Emily. Their stable relationship of finishing each other’s sentences and nightly, weekly, and yearly routines unraveled. They knew everything about each other, including memories from before they got together. One night, Chris told Emily a new detail to the story Kathryn had heard hundreds of times; this simple act of Emily tapping into unfamiliar territory of Chris’ astonished and confused Kathryn.

I felt equally betrayed reading that. How could Chris do that to Kathryn? What was so special about Emily that he couldn’t just appreciate her as a friend? What was Kathryn thinking supporting Chris’ decision to date her and another girl at once when it made her uncomfortable? I started to reflect on all the relationships in my life, all the people who have come and gone. I didn’t know what made a person irreplaceable. I didn’t know how to trust anyone to stick around. Chris was happy with and faithful to Kathryn for a long time before he met Emily at a laundromat. A simple interaction and his feelings changed, a momentary thrill that he wanted to chase.

My dad was the person who made me happy when I was sad without trying, without knowing I was sad. Just seeing him would brighten my day. I hadn’t met anyone who’s absence I would care more about than my father’s. I didn’t give people the chance, but I saw no point.

So, I did not search for a husband in my free time, as promised. I instead focused on getting a new job. By the end of the season, I accepted and began a new marketing gig.

 

Spring

I was crying very often. And not because of my grief, but because of my job. The learning curve was rough and I was consumed by work. I went into the office early, left late, then went to sleep and dreamt about work. No matter how focused I was, my role was still challenging.

To make matters worse, I had no friends. My only companions were my boss and the Spotify Discover Weekly playlists. One day I forgot my headphones at home. Around noon, the group of people around me all began coordinating lunch plans, during which I sat with my eyes glued to the computer screen, pretending I couldn’t hear them making plans without me.

It felt bizarre spending eight hours a day being surrounded by people in an open floor plan, but feeling utterly alone. I didn’t even have a cubicle to blame. In Jeffrey Toobin’s American Heiress, Patty Hearst’s life before being kidnapped by the SLA (Symbionese Liberation Army) appeared fulfilled. She was engaged to and living with her math tutor, Steve Weed, who was six years her senior. It was a banal relationship she thought might be more exciting by moving in together and getting engaged. This was not the case. Toobin wrote:

Patricia cooked and cleaned; Steve did neither. They did everything, including have sex, on his schedule, not hers. Patricia made the beds or left them unmade, as she did on February 4. Their evening together on that occasion was typical. Dinner was chicken soup with tuna fish sandwiches, followed by Mission: Impossible on television, then schoolwork in silence on the downstairs sofa. Bathrobe and slippers had become her home uniform. At nineteen, this was her life? On the eve of her kidnapping, Patricia later acknowledged, she was "mildly suicidal."

I, too, felt shackled to a routine I did not want for myself: wake up, work, go home, work, sleep, and repeat. There was a lot to do and a lot more to learn. I no longer felt the rush of an idea for a new passion project in my spare time. It took me twice as long to read books. I stopped making plans on weeknights because I didn’t want to commit to anything that might force me to leave the office before my work was finished. On nights that I left the office early, I would stop by a neighboring bookstore and browse the shelves or listen to a guest speaker, feeling too tired to be inspired. Patty was trapped in an engagement; I was trapped in Outlook.

At 25, this was my life?

I pretended that not being invited to a lunch out with coworkers was what hurt, but really, I was feeling isolated from the people most important to me, my friends and family, and it wasn’t because of my headphones.

Summer

The weather was beautiful, and I was again reminded of the ugliness in this season. I braced myself for the one year anniversary of my father's death: July 14. He passed away on a Thursday; this year, it fell on a Friday. I stayed home from work and my family visited his grave together. The next day, we had a mass at church for him. I was sitting at the altar, reminded of everything I lost, when I saw four friends walk inside. They stood in the back, not understanding the Arabic prayers or Coptic writing. I joined them, and couldn’t help laughing at the sight of them. They traveled an hour out of their way, back and forth. I felt inappropriate for laughing, until I stood with my mom and watched her have the same reaction to her friend, a stranger to our religion, entering mass to stand by her side.

The following week, George, my mom, and I traveled to Egypt. I was too busy to pack my bags because of work, so my mom did. My suitcase was vibrant. It’s time to for a change, she told me. No more black clothing. I obeyed, but not without guiltily pointing out the hypocrisy in her black clothing. It’s different, she told me calmly.

It was our first time back in years. My father and I were supposed to visit Egypt the year before; our trip was scheduled for a month after his passing. Being there without my dad felt wrong. Egypt was his home. When my grandparents moved the family to America, my father was the only one left behind. He refused to leave, instead choosing to crash with his aunt and cousin. It took two years for them to finally force him onto a plane to the States. After he moved, he went back to Egypt every year, sometimes twice a year.

He always said he wanted to retire in Egypt by the Red Sea. I loved Egypt, too. I spent almost every summer of my life in Egypt, always beginning the fall school year much chunkier because of my many helpings of its delicious, high-caloric food. The loud streets of Cairo echoed my father’s presence in every corner. I associated everything, from the dusty air to the sun’s enveloping blaze, with him. Egypt was still his home.

In Maria Semple’s Where’d You Go, Bernadette, the character Bernadette barely left her home. She found solace in it, despite its incomplete renovation. When her daughter asked to go on a family trip to Antarctica as a reward for good grades, Bernadette hesitantly agreed. She had (what I would diagnose as) mild agoraphobia. In an effort to prepare, she contacted her virtual assistant for the strongest medicine for seasickness (“stronger than Dramamine”), among other excessive requests. The highlighted theatrics behind her anxiety makes it easy for readers to gloss over the sacrificial nature of Bernadette. She felt true conflict in leaving her comfort zone, and although she plots ways to back out of the trip, she ultimately planned to go on the trip for her daughter.

Our trip to Egypt was difficult for me, but for my mother it was a repeating stab to the heart. She was surrounded by her entire family in her home country. She should have been happy, but she couldn’t fully be. She never spoke too much about her feelings. She would cry a little some days. Other times, she’d talk about my father to elicit reminiscence from people. Most of the time, she seemed to enjoy the moments without mentioning him.

One night, we were sitting outside, the only noise the sound of the can of OFF! being passed around. To no one in particular, maybe to the sky, she said, I miss him.

I remembered in that moment something that keeps me up at night. My mom had been living outside of her comfort zone for a year. I didn't want to wonder if that would ever change.

Fall

Now it was time for my oldest brother, Joe, to make an announcement: he was moving. To Cyprus. In two weeks. He’d quit his job and was moving back home for the two weeks in between. I stayed with him and enjoyed the short time I got to live under the same roof with my brothers, possibly for the last time ever. Growing up in a tight-knit family (my cousins lived right next door for most of my life), no one took this news lightly. The idea of me moving a train ride away from New Jersey was already a world away in their minds. Moving across the globe to a foreign country no one had ever visited was staggering.

This return to our childhoods felt very ordinary, otherwise. My brothers and I fell into our old routines of racing to use the bathroom in the morning and spending far too long trying to agree on a movie to watch. Before I knew it, I was waking up to hug and kiss my brother goodbye and safe travels. I kept pestering him for a return date, foolishly asking if he’d try to come back for Christmas. Christmas was a month away, and although it made no sense for him to return in that time, I could not comprehend celebrating the holiday without him.

It was beginning to be the holiday season, and I was glum. There was a time in my life when this time of the year was my favorite. I loved shopping for my family and friends, excited by a holiday that promoted gift giving.

This year, I asked my family if we could skip the gifts and tree. All I saw in Christmas trees was the mess that would be left to clean in January. George was insistent on a tree. My mother compromised by setting a miniature tree in the family room.

While everyone around me expressed gratitude for all they had, I felt burdened by all I’d lost. My favorite thing about life--my family--had dwindled from five to three. My boisterous tight-knit extended family that I saw multiple times a month rarely got together anymore.

I read André Aciman’s Call Me By Your Name next to my dog by my family’s fireplace. A comforting surrounding for a heart-wrenching story. It took place in Italy, sometime in the 1980s, and was written from the perspective of 17-year-old Elio. Elio was attracted to his family’s summer guest, Oliver, and experienced a full body and mental torment as he idolized Oliver from across the backyard. He compared the feeling to fire: “Not a fire of passion, not a ravaging fire, but something paralyzing, like the fire of cluster bombs that suck up the oxygen around them and leave you panting because you’ve been kicked in the gut and a vacuum has ripped up every living lung issue and dried your mouth, and you hope nobody speaks, because you can’t talk, and you pray no one asks you to move, because your heart is clogged and beats so fast it would sooner spit out shards of glass than let anything else flow through its narrowed chambers.”

The two spent their afternoons together and came together in a triumphant, intense bond. Their passion lasted what felt like seconds, but was actually a few weeks, before Oliver had to return back to the States.

When Oliver visited a few months later, he was engaged to someone else. Years passed. Oliver got married, had kids. Elio was successful in an unspecified field; he got involved with people he identified as “those after Oliver.” Their few reunions were outwardly platonic and mostly reminiscent. Their actions were restricted, but Elio’s, and I’d like to believe Oliver’s, feelings of longing from so long ago were unchanged.

The notion that feelings live on, with the capacity to bring back a few weeks of one summer, scared me. It was years later and Elio still subconsciously craved Oliver’s touch. He would never fully get over him. Time didn’t actually heal all.

A few months after my dad passed away, a friend told me he wished I could go back to normal, to the old Nat he loved. I should have been mad at him, but instead I felt awful. I felt awful because it occurred to me that I would never be the same, that I lost the person I once was. Until this, I experienced nothing substantial to be sad about. Sure, I found things: bad grades, boys, the movie My Dog Skip. Never anything tangible. An old coworker once told me I didn’t walk, I skipped. It was true. I was free of pain.

I’ll never have that freedom back. I identify as someone who’s lost a parent. Suddenly. So, so sadly. And that’s a narrative that I’m not sure I’ll ever escape.

I expect more pain will come. Like Elio and Oliver, I will experience a full life, find love elsewhere, etc. But these feelings of grief will always be there. My father was my best friend, and if mourning him is the consequence of loving him, then my heart will forever dress in black.

me.jpg

Natalia is an editor of Things Created By People. Find more of her work on her website.

photography

Road Trip: Photography by Anna Lynch

These photos are from a road trip I took this summer with my sister and a friend. We traveled from Texas all the way to California, hitting Dallas, Austin, Marfa, Santa Fe, Flagstaff, the Grand Canyon, and Las Vegas.



Anna was born and raised in New Jersey and currently lives in New York City. She studied Photography and Global Studies at Parsons the New School of Design and recently graduated in May 2016. She loves to travel and her dream is to travel and photograph people around the world and share their stories. She hopes to move back to Florence, Italy soon where she studied abroad last year. For more of her work, check out her Instagram and website.

interview

The Rise and Shine of Amy Leon

Amy and I met at Friedman’s in Midtown West, both of us so insistent on eating chicken and waffles that we requested our waitress check again that the waffle machine was broken. We met just shortly after Amy’s audition for a play called The Death of the Last Black Man in the Whole Entire World by Suzan-Lori Parks. Amy was in a euphoric state–one that even a broken waffle machine couldn’t curtail.

This would be the case regardless of a great audition, I would later decide.

“The casting director had already bought tickets for my show in August,” Amy said in a naturally booming voice. (Her show at Joe’s Pub, two months after our lunch, was a sold out performance.) This blandishment did not grant Amy a sense of security that would silence her prayers about the role. “It’s such an important piece,” she explained. “I haven’t been acting since I graduated, and this is the first role that I’ve ever wanted. I was like, ‘Wow. I can go be black somewhere?’ It’s not about me–and it’s important. It was written in 1989, which is crazy, because there’s a whole section of it that’s like, ‘I can’t breathe. I can’t breathe. I can’t breathe. I can’t breathe.’ She wrote this twenty years ago and here we are talking about the same shit.”


In 2015, New York University asked Amy to perform at an event where Trayvon Martin’s mother would be speaking. As a gifted raconteuse, Amy felt a crucial obligation to say the right words–or more importantly, for Trayvon Martin’s mother to hear the right words. “Something that you see a lot when somebody dies–my mother just died in February–is people being very apologetic about your situation when they don’t know the full story. The situation demands pity. I don’t like pity.” She spoke with an élan that seized my motor skills and had me nodding along in consensus, deserting my ignorance of grief and its surrounding characteristics. It was not until a few months later, when I experienced a loss of my own, that I could understand.

“This is a testament of faith,” Amy continued. “The fact that this woman is going around the world and talking about her situation right after it happened. She woke up the very next day and had the same job; she didn’t win the lottery, nothing changed. She’s wearing the same clothes. She still has other kids. She still has to wake up everyday, sleep everyday, eat everyday. And suddenly everyone’s talking about her son, making t-shirts about her son, making fun of her son, making Halloween costumes out of her son. So what does she want to hear?” This wasn’t a question. She left no time for me to answer. “An identification of resilience.”

Amy performed her song “Burning in Birmingham” at the event. The song evokes the events of September 15, 1963 in Birmingham, Alabama, a day when members of the Ku Klux Klan planted dynamites beneath the front steps of 16th Street Baptist Church. Four girls died that day. “But there were five girls in the bathroom,” Amy said, voice still booming. “And Sarah Collins is alive today, under 70, still missing her right eye. She lost her sister and her best friends all at once. Didn’t even get to go to the funeral because she was at the hospital. She’s still paying medical bills today. And she’s watching this shit go down? How dare she have to watch this shit go down. How dare she have to pay for this. Nobody knows about her because she survived. The black woman has been surviving all this time and nobody’s looking at her, and she’s continuing to see all this shit.”

Amy’s pain was exacerbated by the negligible status of black women in the country, a matter she portrayed in the music video for “Burning in Birmingham.” She released the music video for it a few days before our meeting in June. “When it came to making the video, I knew I wanted black women because we are invisible–black women are last on the totem pole.” Her argument was simple: at least the death of black men is televised. “That’s why at the end of the video there’s a lot more bodies than those four little girls because the death is cyclical. It’s still happening. It’s still going. I don’t know when I am going to see a day when it’s not happening, but I am prepared to speak about it. And that’s why it doesn’t end on all the bodies–because I am not going to be crying forever, I am going to melt, breakdown, and then I am going to come back here and talk to you. And even if that’s the only time that I am healing, when I am talking to you about it, that’s what I am going to do.”

"Burning in Birmingham" BUY NOW: https://amyleon.bandcamp.com/track/burning-in-birmingham STREAM: https://soundcloud.com/amyleon3/burning-in-birmingham Lyrics by Amy Leon Music by Chris Gaskell, Mike Haldeman, Seth Kaplan, Amy Leon, Jake Pinto, Dillon Treacy Recorded & Engineered by Alex Pyle Mastered by Lucas Hanson Directed by Tyler Rabinowitz - https://vimeo.com/tylerrabinowitz Cinematography by Oren Soffer - http://www.orensoffer.com/ Edited by Zach Terry: https://vimeo.com/user11967867 Colorist: Nick Metcalf at The Mill - http://www.themill.com/portfolio/filter/collection/86/nick-metcalf Choreography by Mark Travis Rivera - https://marktravisrivera.com/ Starring: Dominique Fishback Zuri Ford Anise S.

Amy spoke of the place black women have in society not as an emotional or moral burden, but as a token of their longanimity. Their skin is dark–but more importantly, it is thick. Racism exists, but still, so do they. Amy had been called a nigger three times in a week once; an experience she could never share with her mother. Her mother, white, Jewish, six-feet-tall, with blonde hair and blue eyes, would never experience someone rolling down their window and screaming that word at her before driving away. Their different exteriors created an internal divide. “I wrote this poem called Learning this Skin and it’s an analysis about how my mother will never be able to identify with me. At no point in her life will my mother walk down the street and be called nigger. And that’s my mother. That’s my blood. And she will never be able to identify with me as a black woman.”

I imagine this disconnect to be more of a venial offense, one that neither Amy nor her mother can help. Still, Amy’s relationship with her mother is complicated.

Amy grew up in the foster care system. She had lived in 13 different homes by the time she was 7 years old. Her mother would visit until she was 9, when she lost her visitation rights. Each visit, Amy’s mother searched her body for bruises, and subsequently pulled her out of homes with every discovery. “I had a lot of shit go down on me in my sleep. I’ve experienced every type of abuse there is,” Amy said. This abuse continued throughout Amy’s life, until she was 18 and matriculated at NYU.

At 13, she was adopted into an impoverished home by a 75 year old lady. There were other foster girls living there. Along with the girls were other inhabitants Amy described as “dangerous people.” These people abused the girls, a cycle many of them have been unable to escape.

“There’s a pattern of sexual abuse as if the world knows that that happened to you without you saying anything; it’s like an energy,” Amy said. “I’ve seen so many of the people I grew up with get taken advantage of and not know that they can change their minds or get taken out of these situations. For a lot of people, they can’t get out of these situations, because if you don’t have money and the person who is housing you and feeding you is also abusing you–then what are you expected to do? I’d rather be abused than be homeless sometimes. What’s worse? I don’t know.”

Amy did not tell anyone she was abused until the adoption was finalized. Despite feeling unsafe at home, Amy was going to school, she had friends, she planned to go to college–she didn’t want to risk these normalities for another home. “I lived with my abuser until I was 18. When I said something, [no one] believed me. He went to jail for touching another girl and then they let him out and let him stay in a home with foster children.”

And what of the social workers tasked to protect her and the other foster kids? “No one was checking in on us, nobody asking the right questions… I understand that keeping tabs on all of these foster kids in impoverished neighborhoods is difficult, but that's your job. They make these important jobs impossible to handle.”

Amy arranged to meet her mother once when she was at NYU to get baby pictures of herself. She had never seen pictures of herself as a baby before then. That same year, she received a Facebook message from a short Dominican man. The message read, “Soy tu padre.” That’s how Amy found out who her father was.

Download: https://amyleon.bandcamp.com/track/chasing Stream: https://soundcloud.com/amyleon3/chasing Written by Amy Leon Produced, Mixed & Mastered by Rahm Silverglade Starring: Amy León Ali Castro Nick Katen Kiah Victoria Max & Manu Video: Director - Matthew Puccini Director of Photography - Renee Mao Steadicam Operator - Jesse Rosenberg Camera Assistant - Alex Schaefer

Amy had God: “I’ve experienced a lot of things in my world and time, and just knowing that there’s more than me has been incredible. God to me is the moon and then sunrise and the sunset, that consistency. No matter what happens, the moon will be there. The sun will rise. And the sun will set. I can’t even rely on myself to be consistent in anything, so to be able to see that everyday is like, ‘Yo, God has to exist ‘cause who’s doing that? Who’s pressing rewind?’”

Amy had poetry: “When I was in the 10th grade, I joined an acting company called MCC, and their whole thing was writing about your life and making your life into art. My first performance piece ever was through it. It was my autobiography in 1 minute. Afterwards, adults came to me and said, ‘Thank you for saying things I don’t know how to tell my children.’  I remember that day like it was nothing. These two women came up to me, gave me a hug, and broke down in my arms. I thought to myself, ‘Wow, I am still going home to this abuse but you just broke down in my arms and I’ve never done that before.’”

With these two counterparts, Amy had reason to celebrate the human existence. In this celebration, she is unapologetic and unfiltered. She talks about her shit, hoping that more people will do the same. And if they do, then she believes there would be a lot less shit in the world.

“If we could be more honest about all of our emotions and not just talk about joy–joy is amazing and happiness is incredible–but every single emotion is equal. If we paid the same amount of attention to the moments that bring us despair as the moments that bring us joy, then we remember so much more. You know when someone’s not really smiling–it’s scary that we can see that in each other, but refuse to acknowledge it.”

Amy Leon performing "This" at Sofar London on February 11, 2015.

I sat across from Amy, stunned. Learning about her life made me unconsciously compare our narratives, wondering why the same God gave me my sheltered existence.

But, I knew what she meant–sensing sadness in others, surmising that something isn’t right, and choosing to ignore it. It always seemed easier that way.

I commented on this wisdom and bravery, referencing her past and alluding to her future–but before I could finish, she stopped me. “You’ve been through some shit, girl, it wasn’t the same, but you’ve been through some shit, too. I’ve been sad and you’ve been sad, we’ve both been sad. I don’t think there’s a range. And I don’t think I work harder than anybody, I think I am living my life and everybody else is living their lives. I try to emphasize to the kids I teach [at art workshops]: you are not your situation. Your situation does not need to define you. My environment didn’t stop me from living my life. The difference is just knowing that. Everyone can take the train from 110th street to 42nd street, everyone can do that. There are people I know who’ve never left the block, who’ve had four generations of their family in that one place; and while that’s amazing, I was just like: ‘When I was 16 I went to Paris and I found out that people look different, I wish you knew!’”


Last year, Amy got sick. She told me about her chronic migraine disorder, how it causes her to pass out and have seizure-like and stroke-like symptoms every single day. She’d seen seven neurologists in the past year. None of them had any clue what was wrong with her, where her problems began and where they ended. She had performed with this condition, and managed to continue performing while having seizures on stage.

At one point, she had to quit: performing and teaching, for fear of passing out on stage or in front of her students. When she wasn’t performing, she’d go to her roof and watch the sunset. The consistency of the sun coming and going, clockwork in the sky, was her obsession, her piece of God.


Amy had published two books when me met, and was about to start touring shortly after. She’d coordinated the tour entirely by herself, using Twitter to reach out to venues that follow other artists.

She’d been writing every day, for upcoming shows and a third book. She stressed that she doesn’t like submitting anything because she refuses to edit her work. “I will not edit my work. You are going to take it the way I want it. Absolutely not. I have no time. You can give me a suggestion, but I am not going to edit anything. A lot of people allow themselves to lose their spirit when things are edited, and I don’t do that.”

I asked her what exhausts her.

“The work. It’s really heavy. I feel everything so much. I become a sponge when good and bad things happen. It exhausts me but is also the most exciting part of my life. I want to speak to everyone after a show, but I need five minutes because I just threw up–literally–on stage.”

I couldn’t help but clarify. Do you really throw up?

“No. My experience on stage is a blackout experience. I don't really know what happens,” she said, before adding, “I feel so fortunate, I just started seeing words to music. You know synesthesia? Seeing colors? I did improv a few weeks ago and I felt like I was reading the air. I saw words in the air.”

January 4th @ Mercury Lounge NYC 100% Improvised piece. Audience word: Jubilee Jubilee: an anniversary of sorts To seek Jubilee: to hope one lives long enough to celebrate said jubilee Musicians: Alisha Roney Joey Ziegler Jake Pinto Chris Gaskill Seth Kaplan

Amy was flushed with excitement when we met. The prospect of acting in a production with words as profound and familiar as her own autobiographical work thrilled her. “If I die and no one has ever seen me anywhere in more than a 200 person venue, I don’t give a fuck, because it was permanent in your life. It was permanent in mine. That’s all I need. Thank you for letting me make things permanent for myself as an artist. You can’t tell me that I don’t exist if I am right here. And that’s why I need this part in this play! In it, there’s a character that keeps saying:

‘You should write this down. You should put it under a rock. Because when they find the piece of paper that you wrote it on, they can say it didn’t exist. But if you put it under a rock, they can’t say the rock didn’t exist. That’s nature.’”

Amy’s words, performances, and influence have an everlasting quality that bodies don’t. I realized that Amy’s reliance on the sun–its comings and goings–was a reflection of her. Amy was a beam of light. She fights the darkness of social inequality with honesty, faith, and love. Her egalitarian convictions are melodized in her performances. But she claims the base of her work is something else: “As artists, we are trying to recreate the colors of the sky changing–whether it’s in poetry, music, dance, or paint.”

Amy’s always looking up to the sky, her God, and reflecting it back down to us.


Amy's album, Something Melancholy, will be available on November 15.  A release party for the album will take place at C'mon Everybody in Brooklyn the same day at 8pm. For more information about Amy and her work, check out her website.

photography, visual art

Small Objects Create Big Worlds: a tour of Jennifer Wells' miniature diorama photography

Introduction by Natalia Lehaf

When I first saw Jennifer’s art, I was immediately captivated. I haven’t seen an artist evoke raw human emotions with tiny objects – things – like this ever before. Her work is endlessly beautiful and unique, and her ability to create new worlds in her miniature diorama photography is eerily inviting. The fragments of Jennifer’s work are composed with tactful and resourceful planning, as she prioritizes the time and thought going into her work from the very conception. Once she has an idea, she begins to hand-make accessories or meticulously select the exact item to complete her vision. These concepts laid out on a 1:12 scale speak the stories of her thoughts and experiences. Jennifer is a true storyteller, mirroring the intimate details of her life onto the figures in her projects. It takes courage to reflect, confront, and defeat one’s secrets and fears; it takes heart to turn that process into a calculated formula for artistry.


The following has been edited and condensed from an interview with Jennifer.

I put a lot of my anxieties and longings and nostalgia and darker moods into my work. I fixate on things; if something sets me off it’ll be in the back of my head for a long time.


Babies

High Chair

High Chair

You see her fear and you always want to know what’s going on.

I grew up in a traditional family and while I never felt any pressure, there was an expectation to grow up, get a job, get married, and have kids. 

I decided not to have kids because, aside from never feeling like I was meant to be a mother, I always had this fear of giving birth and having a child in my life. I wanted to use this doll ­– and the way she always looks scared – as an extension of my decision to not have a baby. You see her fear and want to know what’s going on. I put her in traditional baby environments, but always in an enclosure to portray feeling trapped.

This is a doll I got from the Dollar Store when I was little. It is about an inch-and-a-half tall. All I remember is finding her and putting a dress on her. I don’t remember ever consciously deciding to keep her. I’ve been really intrigued by her because the way she is painted makes her look creepy. I wanted to keep it simple but also play with the color pink to represent the [societal] tradition of always assigning colors to gender, but also to contrast the fear with a lighter color.

Routine

Watch

Watch

I wanted him to be completely emotionless, expressionless; you can ascribe whatever you want to this form.

Sometimes I feel like I’m stuck in a routine and I’m not always content with that. Not to say that this guy always represents me, but I wanted to represent the idea of being stuck and going through the motions. He’s about an inch-and-a-half tall and made of polymer clay and wire. I wanted him to be completely emotionless, expressionless; you can ascribe whatever you want to this form, but at the same time, he’s completely lost everything about himself. You watch him in a 9 to 5 setting. People spend most of their time at work and then come home and have to decide, “Do I have time to go out, or should I just watch TV, eat, and go to bed?” I wanted to keep it to those very specific tasks.

The longest part in anything I do is the beginning; I think about an idea for forever. I plan out every tiny little detail before I start doing anything. I made the figure in one day and he sat there for a few weeks while I gathered the supplies for his environments. After I had everything I needed, I did one thing at a time. The entire series from concept to finish took about a month or two.

Heaven and Hell

Church Interior

Church Interior

These images were presented as a series, but I did one image at a time over an extended period of time. It’s something I keep coming back to. I grew up in a very conservative Christian family – and I didn’t realize until recently, but a lot of my struggle with that is never feeling like I could fit into it very well. I never felt like I was ever being a Christian because I didn’t understand how to be.

Lately, I’ve been trying to figure out who I am and what I think about certain things, and it’s made me think about the effect my past and the household I grew up in have on me. These feelings have come to the surface a lot, and are things I’ve wanted to explore more.

I Shall Not Fear

I Shall Not Fear

I have always had this deep fear of Hell – and it’s something that I really needed to sit down and reconcile that I was not going to be afraid of anymore. Even when I decided I wasn’t a Christian anymore, I thought, “Oh, no – this is definitely making me go to Hell.” My process in making this was also my process in deciding not to be afraid of Hell. So, this is a guy approaching an altar full of flames with a demon eating a person at the center, and blurred on the right side is a guy falling off a cliff.

I wanted to keep the tones fire-oriented and warm for hell ­– the red, yellow, orange – with a black background. I was partly inspired by two medieval courses in college; one was called “The Art of the Apocalypse.” So the way I depicted hell is similar to the way it is depicted in medieval art. 

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The Church at the Bottom of the Hill

You can see the church as a light in this darkness, or you can see it as “there’s something wrong here – something dark in this supposed light.”

I wanted to pose this church as a mysterious place. Why is it there? Why is it at the bottom of a hill? And then light it at night, spotlighted, so you notice the church but then you have that deep, dark light coming from the entrance. You can see the church as a light in this darkness - when I showed it to my mom, that’s what she automatically saw it as – or you can view it as “there’s something wrong here – something dark in this supposed light.”

Madonna and Child

Madonna and Child

I was shopping for another series when I came across this statue with nothing drawn on it. Since my time growing up, I’ve really been intrigued by religious typography. So I wanted to pose this one like an old, religious painting. I painted the figure and used different colors to represent the idea of Mary:

  • White for purity
  • Green for fertility
  • Blue for faith/Heaven 

Jesus has the white for purity, and Mary has some of the white on her but I also wanted to show all of the other features with the other colors.

Melancholy

The doll featured was the inspiration for this whole series coming together. I used a doll with very defined feet because I knew I wanted to focus on her feet and I wanted there to be toes. Originally, I was going to call this series “soft focus,” but I decided to go with the feel of everything, which is melancholy. One of my main goals with this was for each image to represent an emotion, and I liked the idea of giving dolls – little figures – that voice for people to relate to them. I project myself in her to an extent – not things I am feeling now, but things that I’ve felt at some point.

By the Flowers, She was Swept Away

By the Flowers, She was Swept Away

I didn’t keep it all in focus because I wanted it to be a motion of everything being swept away, in a dreamlike state. She’s finally found her peace and she’s reveling in it.

Dry Summers

Dry Summers

I’ve been thinking about the word “dry” for a long time. It’s probably more of a Midwestern thing, but this image shows a time when it’s dry and hot, and even though it hasn’t rained in a while, you’re still sitting on your porch drinking tea or lemonade. I wanted to create an image that embodies the feeling of waiting. I focused on her feet more so you can see the detail of the porch and the expanse before her. You see that she is just sitting there waiting for this change.

Twigs at Night

Twigs at Night

The twigs are the focus of this image because they are a reflection of what’s going on inside of her. It looks like a scarf on her, in a suffocating way.

Chair-O-Plane

Chair-O-Plane

The Chair-O-Plane illustrates my favorite thing to feel – the wind. There is a type of joy when everything is fading away and you are not focused on anything else but the feeling of the wind. I really romanticize this feeling in my mind. I had an idea of this icon and everything being calm for a moment; it’s lit brightly to give a dreamlike reflection. 


Jennifer Nichole Wells is an artist out of Jacksonville, FL. She creates small-scale tableaus to be transformed through her camera lens. Her images serve as explorations of loneliness, depression, anxiety, nostalgia, hopelessness, and hope. You can find more of her work on her website, Twitter, and Instagram.

photography

Photography by Tennessee Nunez

"This photo is of my girlfriend in the woods, showing how nature is both a glimpse into the past, and an entity in the present."

"This photo is of my girlfriend in the woods, showing how nature is both a glimpse into the past, and an entity in the present."

"This photo is from last summer, and is of a daughter and mother, throwing a seashell into the ocean to honor the mother’s late brother; in essence, a family reunion."

"This photo is from last summer, and is of a daughter and mother, throwing a seashell into the ocean to honor the mother’s late brother; in essence, a family reunion."

"This last photo is of a machine dousing a frozen airplane wing with hot water, rebuilding its function to fly properly."

"This last photo is of a machine dousing a frozen airplane wing with hot water, rebuilding its function to fly properly."


Tennessee Nunez is a 21 year old rapper and photographer based in NYC, currently studying at Hunter College. Find him on Instagram and Soundcloud.

essay

Young and in Love

It was June of 2012, and everyone in my family was getting boned except for me. My younger brother, Willy P, had his first girlfriend, who I’ll call Alejandra. Alejandra was hot. I mean, Gillian Anderson-level hot. If I were a lesbian who didn’t know that my brother had been in her orifices, I would so be into her. Every time she visited, she always brought cake or cookies or something else she baked. And besides just being pretty and being able to cook (since women are useful for other things, too) she was from Easter Island and had travelled all over the world. She was a talented singer, excellent painter, and when she talked with you, she made you feel like the most interesting person in the world. I don’t know what she saw in him. Granted, he’s my brother, but he’s also the guy who didn’t know Buck was a dog when he read The Call of the Wild in 7th grade.

With the exception of getting into college and having my cat die first, I was behind my brother in achieving every milestone of adulthood. He had a real job (that wasn’t working at our mother’s office every summer) before me. He went to a college party the week before I started college. He had his driver’s license before me, a task that I blew off after I failed the test the first time. I shrugged it off that I’ll be going to NYU, not realizing that I might be home for the summers or moving to LA after graduation. Oops.

I have a cousin, whom I’ll call Ashley, who, as of June 2012, had never left New Jersey (with the exception of once going to New York City and once to Amish Country on a school trip). Her parents had recently gotten a divorce, so my dad thought it would be good to take her mind off things and take the family on a day trip to Washington, D.C. It was going to be fun. I had the week off from the airport where I worked. (I decided I was too old to be working for my mother and I got a job as an assistant teacher for this airport that taught autistic kids how to fly airplanes. The woman who ran it was the epitome of the American Dream. She used to smoke inside the airplanes. She had about nine kids and they all ran around the airport barefoot. One of them was autistic, so she decided to run a camp for autistic kids and have them fly 4-person airplanes to beaches and parks.) Every day was an adventure, but today was going to be an adventure where I wouldn’t die at the end. Or so I thought.

Ashley wasn’t that bad. She was a little socially awkward and learned about current events a year after they happened, but not too bad. She had this boyfriend, who I will call Gabe, who came over for 4th of July that year, and when I went to hang out with them and my brother and Alejandra, Gabe told me ten times I couldn’t because I didn’t have a date like the rest of them, which was weird, because we weren’t in middle school anymore. But they were madly in love, and Ashley had tattooed his name in gel pen on her arm.

The worst part about the day was going to be my dad’s girlfriend, who I’ll call Donna. I don’t want to compare myself to God, but it’s definitely a God vs. Lucifer situation whenever we’re in a room together. This woman made fun of me for crying on the car ride to my grandmother’s funeral, because “that’s not where you’re supposed to cry.” She threw piles of garbage into my room because my brother forgot to put the ketchup back into the fridge. She used to call my brother and I obese when we were younger, even though Wil wasn’t fat at all and I was just growing boobs like a normal 11-year-old girl. She had a handyman giving her estimates on our house, and when I needed to get to the job interview at the airport, his car was blocking my brother’s. I asked the man if he could move it because I needed to leave, and she flew into a red-faced rage about how I needed to respect people’s time. The man moved his car because he was, you know, normal.

Driving our crew to Washington, D.C. was my dad, who was still managing to drive a car after our family excursion the previous year to Honolulu left him blind in one eye because Germans never give up. Sometimes he makes funny jokes. Wil and I say he is a hybrid of George Costanza and Danny DeVito.

Then there was me, Rachel Petzinger, a soon-to-be junior at NYU who was just trying to live her life. Now that I’ve established everyone in the rented van, probably exactly like Anton Chekhov would have, I’m going to break down the trip using an inner monologue to explain my thoughts and some dialogue that happened during this early summer day in a sort of 24 style.

6 AM - 7 AM

Bruh, I’m awake now. I’m going to listen to some Kid Cudi because I just learned what Spotify is! Let me Instagram doing this, because I also just learned what Instagram is, too!

Uh-oh, I forgot cousin Ashley is sleeping in the room. Music woke her up. Oh, well. Ashley comes over to me and sits in my butterfly chair. “Erase Me” plays on my computer, and she only sings along when he says, “I keep on running, keep on running,” so that it looks like she knows the words to the song. I want to tell her, it’s okay, you don’t have to show off to me that you know how to pick up on a few words.

“Do you have sex?” she asks me.

“Huh?”

“Do you have sex?” she repeats.

“I’m not talking with this about you at 6 in the morning.”

She slaps my arm. “C’mon, tell me. Sex is awesome. I like sex.”

I shut off my computer and say to her, “That’s great. I’m going to take a shower,” and I escape to the bathroom.

Three minutes later I hear a knock on the door. It’s Willy P.

“I need to take a shower,” he grumbles through the door. I ignore him. We had a fight over the bathroom a few days ago that got a little out of hand, so now I always spend more time than I need in there.

I get out of the shower and there’s another knock at the door.

“Willy P, ya scrotum, leave me alone, I’ll be out in five minutes!” I yell.

Only it’s not Willy P. It’s Donna, and she’s mad at me for wasting water with my 4-minute shower. I wonder if it would be a waste of water to drown her.

I don’t realize that I say this out loud. Now my dad is mad at me.

The day is off to a good start.

7 AM - 8 AM

Alejandra’s parents arrive. They are nice people. We think that they are involved in some Chilean spy organization because they are pretty quiet about their personal business, and then sometimes they go away for weeks at a time, but that’s awesome because my family is as boring and suburban as can be and we don’t know any spies. I’m just chilling in the back of the van, playing with a lighter, thinking about putting myself out of my misery for the day, when they knock on the door and I greet them.

“So you’re going back to Easter Island on Monday?” I ask.

They nod their heads. We have that sort of discussion you have with people you’re on the brink of being comfortable around, except it’s useless because they’ll be gone forever in five days, taking Willy P’s sexy slam-piece with them. Then my dad comes out with a camera bag and has me put it in the trunk. He makes small talk in a high-pitched voice—you know, the kind of voice people use when they’re trying to be really nice, and it’s not like they’re anti-social, but they haven’t quite yet mastered the art of talking to people they’re not friends with in their normal voice.

My dad goes back inside to tell Donna to hurry up. Alejandra’s parents ask me what we’re going to see, and I explain to them that we will probably just go to the touristy stuff, because Ashley has never been anywhere outside of New Jersey, with the exception of two places. They are amazed by that.

Wil makes me move seats so he and Alejandra can spoon in the back. Ashley puts a helmet on her head because her mother warned her about my dad’s driving. And with that, the Petzingers are en route to Washington, D.C.!

8 AM - 9 AM

Driving. I invite Ashley to watch Slumdog Millionaire with me on my iPhone because she needs some culture.

If I never find love, then I would at least like to be the badass older sibling, as Salim is to Jamal. Who needs a Latika when you can have 1 million rupees?

9 AM - 10 AM

We stop at a rest stop in South Jersey. I pass by a Burger King along the way to the bathroom as Donna is behind me. She sees a heavyset woman, and says (which she thinks is under her breath), “Ugh, if I ever get to be that fat, just kill me.” I walk ahead of her.

Ashley looks like a poor baby animal lost in the rest stop. American rest stops are really only full of diddlers, truck drivers, bikers, happy families going on vacation, and angry families going on vacation. I buy me an iced coffee and her a Cinnabon because she has made some good progress. Ashley says her boyfriend really loves Cinnabon.

I go over to Willy P, who is on his phone as Alejandra is in the bathroom.

“Hey, bud.”

“Sup,” he says, without making eye contact.

“You gonna miss Alejandra?”

“Yup.”

A long silence. I take a Snapchat of him and draw a peener in his mouth. He is not amused, unlike usual. So I go back to the car and play the waiting game.

10 AM - 11 AM

We almost arrive in D.C. I regret drinking that iced coffee because now I really need to winky-tink. I ask my dad repeatedly to pull over but he doesn’t because we’re on a non-existent schedule.

“Rachel, help us find parking!” he yells.

“But that starts with P, and I have to pee!” I cry. It hurts. So I go on my phone and look up some tricks that have helped me to this day. Did you know that if you are sitting down, you are not supposed to cross your legs? That puts pressure on your parts, so you should sit with your legs separated. You are welcome.

We park, and it is a photo-finish as I run into a Subway and ask to use the bathroom. The cashier lets me go without buying a sandwich because D.C. is technically the south and people are pleasant there.

When we get out Ashley spots a Barnes & Noble. She asks if we can go in.

“You’re joking, right?” my dad asks. We walk past it.

11 AM – 12 PM

“I have cramps,” my lovely cousin announces as we stop at a deli.

“Kay,” my dad responds.

“What do you want us to do about that?” Donna asks.

“Can we go back?” Ashley suggests.

My dad laughs.

“What kind of cramps?” I ask her. “Cramp cramps or cramp cramps?”

So we go to a CVS. “Do you need lady-time stuff?” I ask her. She insists she is fine.

My dad makes me carry the big camera bag as we make our way to Capitol Hill.

12 PM – 1 PM

Wow. So that’s Capitol Hill, where Congress does its thing.

Ashley looks at her phone. My dad and Donna argue over a map as my brother and Alejandra lay down on the grass.

I remember this one time in 2009 when my class went to DC as part of a weeklong field trip. I was new to the school that year and really had only a handful of friends. There was this girl, Elyssa, who I thought was my bud, but then for some reason on that trip she flat-out stopped talking to me. It was weird. I remember on these steps three years before, after we got off and our teachers said to meet them back here in three hours, I was lost, since Elyssa was being such a bitch. Then a classmate came up to me, and I thought he was going to say I could walk with them, but then he just asked me to take some pictures of his group of friends.

I had this one really cool French teacher who was on the trip. Literally the only French teacher I ever had who never had that attitude that all French teachers have. But later that night we all gathered in front of the White House. I was with some group of people I didn’t really give a shit about, and she came up to me and pointed at a lit window in the White House and said, “Pensez-vous que Obama est là?”

I laughed, “Peut-être, oui.”

Then she introduced me to this group of people, who actually turned out to be people I still keep in contact with today.

I had this revelation on these steps of wisdom, if I can’t have a significant other, then I’ll help people! At least I could help my cousin when she only had me on the trip. My cousin was on her phone, shaking.

“Hey, cuz. What do you think of the city so far?”

“Huh? Yeah,” she responded.

1 PM – 2 PM

We make our way to some fountain. I sit with Ashley as she continues on about her boyfriend and how much she misses him and how she is so excited to go to the beach with him tomorrow.

“You know, beaches are great, but, like, aren’t you happy to be here? With your family?”

“Yeah, I guess. I like New York better. There are more streets.”

“We have literally been here for 2 hours. Isn’t it kind of cool, the buildings are what you see everyday on our money. Or the people? Everyone is super friendly. Or at least knowing you’re in the same city where there is so much of America’s history?”

“Yeah, well, I mean, the history is great.”

My cousin’s intelligent argument is disrupted by my brother yelling, “Alejandra!” Everyone in the city practically turns to see my brother jump into the water to save her digital camera she dropped in. Alejandra thanks him and laughs, “I’ll just go put it in rice when I get home.” She is pretty casual about it, while my brother and father ask her if it’s all right, treating it like it’s a baby about to go on life support. Ashley sniffles a little bit, because that’s something her boyfriend would have done. And she misses him. And can’t wait until they are at the beach tomorrow.

2 PM – 3 PM

The National Air and Space Museum at the Smithsonian is pretty far out. Alejandra told us we should buy space ice cream at the gift shop, which is really the only reason we went. My dad and Donna went off to go look at rocket ship stuff, and my brother and Alejandra fed each other their space cream. Ashley stared at them for more than an appropriate time, so I took her by the elbow to look at some airplane models.

I said something along the lines of, “Gee whiz, isn’t that airplane swell,” but when I turned I saw her crying. I had never before seen anyone cry over an airplane that wasn’t about to crash. “What’s the matter?” I asked her.

“Just seeing Wil and Alejandra feeding each other. It makes me miss Gabe.”

I tried to block her face, so she wouldn’t be embarrassed. “But, you’ll like, see him at the beach tomorrow. Willy P and Alejandra may never see each other again. She’s going back to Easter Island in five days, for Christ’s sake.”

Ashley shook her head. “You don’t understand. You’re not in love with anyone.”

“What do you do when you have to go to work? Or in school? Do you cry that you miss him then?”

“No, because he’s near me. He’s halfway around the world, now!”

3 PM – 4 PM

I alert my father to Ashley’s tears. He asks her what’s wrong, and she just says her cramps are really bad.

“Rachel, give her something.”

“Ashley, what do you need?”

“I’m fine! I just want to go home.”

I want to tell Ashley to give it up—my father is not one of those guys who would let a thing like cramps get in the way of a day trip. Perhaps Ashley had forgotten, but my father is blind in one eye, and he doesn’t let that stop him from flying airplanes, let alone driving a car. “Give it up, cousin,” I try to tell her with my telekinesis.

But it falls upon deaf ears and brain stems. My father shakes his head and says, “We’re not going home.”

“I would like to go to that Indian Museum,” Donna chimes in.

“Indian is not the preferred nomenclature. Native American, please,” I have to remind her. She is confused and whispers something to my dad.

4 PM – 5 PM

We watch some movie about oppression at the Native Museum of the American Indian. Ashley leaves, not because it bothers her how badly the white man had treated those different, but because she needs to talk to Gabe on her phone.

I tug on my dad’s sleeve. “Should I go out there?”

He shrugs. “She’s fine. Just watch the movie.”

We meet her outside afterwards, and my dad is not happy with Ashley because that movie had cost five dollars to get in. My dad asks her why she acts the way that she does, and Donna interrupts, patting her mouth like it’s a drum, chanting “Hey-yuh-yuh-yuh, hey-yuh-yuh-yuh.” A Native American family walks by, sees what she is doing, and they collectively shake their heads. To keep my laughter in, I run over to Willy P and Alejandra. My brother has his arm around her, but I think she put it there.

“Do you see what Donna is doing?”

Alejandra giggles. “I won’t miss her.”

Wil rolls his eyes and shakes his head. “I know he’s blind in one eye, but he still should see how retarded she is.”

The museum is about to close and my dad tells me to leave Willy P and Alejandra alone and watch Ashley just in time for Donna to visit the gift shop.

“I’m not bothering them,” I argue.

“It’s upsetting your cousin to see them together. Just keep her company – away from them.”

“This is bullshit. And I’m sorry. But I like Alejandra. Just because I’m not boning her doesn’t mean I won’t miss her when she’s gone either!”

It’s pointless arguing, though, and Ashley and I sit on a bench in the museum.

“It’s just hard to see them,” she keeps repeating.

A voice on the intercom announces that the museum will close in five minutes. Ashley grumbles, “I hate your dad’s girlfriend. She’s gonna get us locked in here.”

“Would you just chill out?”

“You don’t understand, Rachel!”

“Yeah, everyone keeps saying that to me.”

“If we get stuck here overnight, then I can’t go to the beach with Gabe tomorrow.”

“But we won’t—“

“You don’t have a boyfriend, you don’t understand.”

“I don’t need a boyfriend to understand that a museum won’t lock you in after they close.”

A minute passes. She wipes away a tear and says, “Can I ask you something?”

“What?”

“Are you a lesbian?”

“What?! No. Why would you even ask me that?”

“You’re always talking about how hot Gillian Anderson is and stuff.”

“Oh my god, I haven’t even mentioned Gillian Anderson once on this trip.”

“Still, you do it a lot.”

“Gillian Anderson is a very attractive woman and I appreciate her accomplishments in film and television. Besides, I talk about Christoph Waltz all the time and nobody says anything.”

“Well, you’ve never had a boyfriend.”

I stand up and then passionately yell, “OH, I’M SORRY, I DIDN’T REALIZE THAT IN THE GROWN ASS ADULT HANDBOOK THAT IF YOU ARE 20 AND STILL HAVEN’T HAD SEXUAL RELATIONS WITH A GUY, THEN YOU ARE AUTOMATICALLY A LESBIAN.”

That made Ashley cry a river, and my dad wasn’t too thrilled about that.

5 PM – 6 PM

We try to find the car for about an hour. This makes Ashley upset because if we can’t find the car, we can’t get back home. My father wants me to hold the camera bag on my back in lieu of being Ashley’s sole advisor, but at some point I cough up a storm and Ashley hits me really, really hard on my shoulder four or five times, probably not realizing that you can’t just slap a person anywhere on their body and they will stop coughing.

It has been forty-five minutes and we still cannot find the car. We grab the attention of a homeless man, who speaks to my dad in Spanish. That’s when Alejandra comes in and she and him have a conversation. At some point after Alejandra says something and he looks at Ashley and laughs. I meant to ask Alejandra later what they were talking about. He got us to our car and my dad gave him a granola bar.

6 PM – 7 PM

We get in the car and assume our usual positions, which means Ashley sulks in her seat. My dad drives around some city sights that we didn’t get to see, just for Ashley.

We pass the Lincoln Memorial. “Hey, Ashley, look, it’s the Lincoln Memorial.”

“Great.”

We pass the Washington Monument. “Hey, Ashley, look, it’s the Washington Monument.”

“Super.”

Next is the White House. “Hey, Ashley, think Obama is in there?”

No response.

7 PM – 8 PM

Fell asleep, woke up to my brother putting a lime in my mouth.

8 PM – 9 PM

We stop somewhere in Maryland to get dinner. My brother and Alejandra hold hands the whole time, and my dad, Donna and I, all try to separate their hands as a joke. My dad takes a knife and pretends to go all Norman Bates on him. Ashley drags me to the bathroom with her.

“I hate Donna,” she grumbles. “That museum stuff with the Native Americans, that wasn’t cool.”

“Yeah, it wasn’t, but you don’t have to deal with her on a daily basis, and she has been surprisingly okay on this trip.”

Then she throws a paper towel in the mirror. “Can you tell your brother to stop holding hands with Alejandra?”

I walk out and say to my brother what our cousin said. Then I suggest perhaps the entire restaurant should have a giant orgy on this table. Willy P likes that idea, minus the fact that I would probably just be watching. Ashley orders just a plate of French fries for dinner, while my meal has a side of French fries, like normal. When she finished, she just kept eating all the fries off my plate. My brother had my back and put up a wall of condiments between the two of us.

9 PM – 10 PM

We drive home. At this point, Donna sits next to me because my dad wants to talk to Ashley about some things. The four of us have our own conversation about the day, then I sit in between Willy P and Alejandra in the backseat and tell her about the details of Wil’s diary when he was little.

“What was in it?” Donna asks, feeling like one of the cool kids for once in her life.

“Dear Diary! I just got my first period!” Willy P recites.

From all the way up front, Ashley says, “That’s funny, Wil, because normally only girls get periods.”

A long silence. “Shut the fuck up, Ashley!” he shouts.

I’m surprised that Donna doesn’t say, “Watch your language.” My dad looks in the mirror and sees I’m not in my seat, so he makes me go back.

10 PM – 11 PM

About ten minutes from the house, my dad breaks the silence in the car and says to Ashley, “Hey, it’s getting late. I don’t think you should drive back to your house tonight.”

“NO! I HAVE TO.”

“It’s dark out. You’re tired, we’re all tired. You can leave in the morning.”

“Uncle Bill, I have to leave tonight!”

“Ashley, it’s dangerous. There are weirdos out there.”

“Uncle Bill, I deal with weirdos all the time!”

Then I butt in. “Ashley, you live in Flemington. The only weirdo you deal with is your father.”

We pull into our driveway, and because it is on a hill and of the way it is structured, a car cannot get around it if another one is parked on top. My dad stays right there.

She flies into hysteric tears, but my dad calls his sister and she insists her daughter stays there. Alejandra’s parents show up and see Ashley crying in our basement.

“What happened to her?” her dad asks.

“She misses her boyfriend,” I tell them.

Alejandra’s mother looks at the floor. “Ungrateful, she is,” she mutters.

With all the chaos going on in the back, I almost forget that this is the last time I might see her parents.

“Will you ever visit?” I ask.

They smile. “For your brother, we would change the weather!”

Alejandra comes over. “I think I’m coming over tomorrow. Good luck with your cousin,” she says, and hugs me.

11 PM – 12 AM

Ashley reminds me of Bertha Mason in Jane Eyre with all the sounds coming from the basement. My dad comes upstairs, wiping his forehead, like I imagine a guy does when he’s witnessing his wife giving birth or something.

“What’s wrong with her?” I ask.

“She’s just going through a difficult time. We need to get a new rocking chair.”

“You know, I go through rough times, but I don’t make things miserable for anyone else.”

“Rachel, one day, you will have a boyfriend, and you’ll understand.”

“Man, I can’t wait to have a boyfriend and finally understand what it is that makes people so crazy.”

He puts his hand on my shoulder and says, “I love you, Rachel. Truly. Don’t go downstairs,” and he goes to bed.

I go downstairs to see what all the fuss is about. Ashley has barricaded herself in and has broken a lamp and a rocking chair.

“They don’t understand… they don’t understand…” I hear from a corner.

“Hey, buddy,” I say slowly. “You want some Tylenol?”

“No… I didn’t have cramps. I just wanted to go home.”

I should have known she didn’t really have cramps. She’s one of those chicks who every time she’s over says she’s on her lady-time.

Upstairs, Willy P does pull-ups in his room.

“Hey, buddy,” I say.

“You wanna get lunch with me and Alejandra tomorrow?”

“Nothing would so much as pleaseth your fine maiden greater.”

“Stop.”

He lets go of the bar and gets in his bed.

“Where are we getting lunch?” I ask.

He shrugs. “I don’t know. We might not. But Alejandra wants to see you.”

“Will you miss her?” I ask him quietly.

He looks me in the eye and nods.

“You should lock your door tonight,” I say.

“Why, are you gonna have your way with me?”

“No. It’s just that there’s a crazy person in our basement and there are knives in the kitchen. And you’re an asshole, but you’re my little asshole, and I don’t want you to die for a long time.”

He laughs. I leave his room and I hear the door close and the lock set in place. Then I lock my door.

As I fall asleep, I hear the moans of a wounded animal rise from our basement.


Rachel Petzinger is a writer and comedienne. She writes and stars in Dear Rachel, a comedy web series.